One split goes to the FOH cable for you guys, the other goes to our own 4xAUX mixer which mixes for our 4 x radio in ear systems. Mixer, Audio Case, In ears Case.ĪLL of our instruments and (your) 5 microphones go to our audio case where signals are split and instruments DI’d. Our rig is essentially contained and wired in three flight cases. Reserved for additional instrumentġ6.) Spare Reserved for Stage Cues / Clicks Detail It is for this reason the band also need floor monitor mixes as it helps to counteract this issue.ĩ.) MIC Barclay (Stage Front Centre Lead)ġ4.) Spare. This can undermine the effectiveness of the in ear systems by presenting the musician with different, confusing timing. While thats great etc, this bass is very often perceived delayed to t he music while it resonates around the stage to the feet. We have noticed an increasing number of venues locate sub woofers under the stage and pump stages with high volumes of sub bass during the gig.
+ Early Entry to the Venue for equipment test 3 x additional support for laptops and soundcards.If we are flying to play your gig we cant bring everything. Some table/stands (to put macs on) as its not feasible for us to bring our own furniture.At least 5 separate floor monitors running 4 x separate monitor mixes.4 x Black Straight Microphone Stands (1 silver if possible).The Devout do everything we can to make life easier for our FOH engineers. We have colour coded the requirements as essential, some essential if travelling by plane, some are ideal, parts are nice to haves. Please read the WHOLE rider covering Timing, Access, Instrument inputs, Microphones, Mic inputs, Stage positions, Stands, Lighting and Video
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