- #Multichannel outputs superior drummer 3 vienna pro server software
- #Multichannel outputs superior drummer 3 vienna pro server mac
The reverb was Space Designer with the Europa IR from the Acousticas Bricasti M7 library. With the monitoring up and running, I performed the reverb, tracing both the wet and dry signals in Logic. Thankfully no appalling and previously unheard mistakes materialised, though there was clearly much work to be done.
The moment I pressed play, the superior monitoring and room treatment revealed more detail and depth in my recordings than I had ever heard before. The stereo and wet channels went through the patchbay into the desk, and from there to the appropriate surround monitors. With a simple routing job from Logic to Max and back via Soundflower I had five channels of output, the original stereo and the three reverbs, along with three channels of the dry sends to the reverb plugins being recorded. Because I was using Max/MSP to dynamically send the existing stereo recording to the reverb, and Max was not installed on the studio computer, I performed the reverb on my laptop. The first thing to do was perform the reverb channels. (Bear in mind when I’m discussing routing issues that the Lynx and TC Konnect described in Michael’s post below were not installed at the time of these sessions.) Here’s the finished stereo piece. So the idea was to go from two channels up to five, using both analogue and digital processing, and then bring it all down back to two, something the Reid is ideally suited to. I would then create a final 5.0 version of the piece, and also a stereo mixdown from all five channels. I had an interesting task to achieve: take a stereo recording made in the box in my home studio and use the Reid to master it through analogue outboard equipment, while at the same time applying performed reverberation in the centre, left surround and right surround channels of the surround system. So from now we will follow this line of approach until we can either find a better way or if one of you finds this too limiting.Ī few weeks ago, I was lucky enough to be among the first to use the Reid Studio for a mastering session, of Sllt., my Masters dissertation work. We feel that this is the best compromise and the most elegant solution that we could find. You may have some work stored on a server outside of the University network for example, and in this case you would still have to manually change settings to reach the World Wide Web.
#Multichannel outputs superior drummer 3 vienna pro server mac
This allows us to remotely log in to the Reid Mac for maintenance updates and assistance etc.Īlthough you won’t be able to check you eBayMyFacebookTwitterSpace blogs, you will be able to check University e-mail, post to our Studio Blog check the DDM message boards etc etc… To be honest we shouldn’t be wasting time in this facility doing Internet browsing anyway.
#Multichannel outputs superior drummer 3 vienna pro server software
Now clearly we can’t change anything about the AWS software so what we managed was that the INTRAnet i.e., anything on our internal University network, is accessible and the AWS HUI operation will work at the same time.
However, Geoff in all of his awesomeness, did manage to find a small work around for us. Unfortunately due to how the AWS talks to the Mac via the ethernet connections this is still the case. Geoff and I were in the Reid Studio yesterday installing Ableton Live 8 and looking at various ways in which we can make both the network and the AWS (HUI side of things) work together.Īt the moment if you want use the desk as a touch surface, which most of us do, then you have to select the ‘AWS’ Network Setting in OS X’s System Preferences panel, and to get to the Internet at large you have to manually switch the settings.
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